Whiskeytown Camera (2024)

FAQs

What kind of camera did Dennis Hopper use? ›

Dennis Hopper took this dizzying photograph with a thirty-five-millimeter Nikon that his wife, Brooke Hayward, had given him as a present for his twenty-fifth birthday, not long after the two of them met on a Broadway flop, “Mandingo,” in the spring of 1961.

Powell, a fixture of the downtown scene, was rarely seen without his point-and-shoot Minolta camera, which he used to take iconic images of the Beastie Boys, Run DMC, Jean-Michel Basquiat, Andy Warhol, and countless others.

A Rabbit's Foot talks to Jeff Bridges about his favourite camera, the Widelux F8, working with Francis Ford Coppola, and the crossroads between photography and cinema.

Stanton has always used a Canon digital camera and today has a Canon EOS 5D Mark III with a 50mm f/1.2 lens. He does a minimal amount of postproduction work, mainly because he doesn't know Photoshop that well.

Hopper, who already had a reputation as a paranoid, self-destructive bad boy and challenger of the status quo, was known for engaging in fights on sets due to his refusal to take direction (which led to him being blacklisted for eight years), and his impulsive behavior made an appearance as production on The Last Movie ...

After serendipitously being gifted a Leica camera in 1977, Sandler shot in Boston for three productive years and then moved back home to photograph in an edgy, dangerous, colicky New York City. In the 1980s crime and crack were on the rise and their effects were socially devastating.

Tens of thousands of fans hurried to the streets, hoping to catch a glimpse of the Fab Four, and band member Paul McCartney was ready to greet them. But McCartney did more than simply pose for pictures—he also shot photographs himself, using a Pentax 35mm film camera.

Pitt, who has appeared on the cover of Interview magazine holding a Leica M7, earns praise from photographers in Leica forums for his work, including a cover shoot of Angelina Jolie for W a few years ago. While some purists scoff, others do their best not to generalize about their famous Leica brethren. Mr.

Shore is known for using Deardorff 4X5 & 8X10 Large Format Film Cameras. He switched to the larger format due to the grain in color negatives at the time. Almost all of Uncommon Places was shot with a G-Claron 305mm lens. He also used a 240 G-Claron and later switched to a 240mm Sironar-S lens.

Camera: Leica M Lens: 35mm summicron

Tony Ray-Jones purchased a Leica M rangefinder when he started shooting around New York City with Joel Meyerowitz and Garry Winogrand. A Leica 35mm summicron was his most used lens during his career, but he did experiment with 50mm and some wider angle lenses too.

What camera did Ernest Brooks use? ›

Ernest Brooks, the first British official photographer to be appointed, seen in a trench on the Western Front. He is carrying a Goerz Anschutz plate camera. Brooks served as a photographer on the Western Front from March to 1916 to early 1919.

The pair spent 15 minutes on the summit, and Hillary – a keen photographer – captured their success on his camera a Kodak Retina Type 118. His pictures included a shot of Tenzing posing with his pickaxe on the roof of the world.

Stranger Things (2016-2025)

The tv series Stranger Things, released in 2016, was shot on digital using ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera and Leitz Summilux-C Series Lenses and editing was done on the Avid Editing System. Tommy H. Danny Boyd Jr.

Man Ray was known to use a variety of cameras and equipment throughout his career, including large-format cameras, medium-format cameras, and 35mm cameras.

While it looks like the wildly popular K1000, Reiss says the camera Jonathan Byers uses is the higher-end Pentax MX. That flagship model makes sense for someone so serious about photography. "We needed to buy multiples to smash," Reiss says.

It was shot in 35mm using Kodak stock and Panavision cameras. Some theatres screened a 70mm version with six track sound. One theatre screening the wide format was the Odeon Marble Arch. Spielberg didn't often use more than one camera.